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    <title>World's Forgotten Boy with Peter Lindblad</title>
    <link>http://blog.goldminemag.com/forgottenboy/</link>
    <description />
    <language>en-us</language>
    <copyright>F+W Media, Inc.</copyright>
    <lastBuildDate>Tue, 09 Mar 2010 21:42:13 GMT</lastBuildDate>
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      <dc:creator>Peter</dc:creator>
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      <title>New British Invasion DVDs: No 'dirt' here</title>
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      <link>http://blog.goldminemag.com/forgottenboy/2010/03/09/New+British+Invasion+DVDs+No+Dirt+Here.aspx</link>
      <pubDate>Tue, 09 Mar 2010 21:42:13 GMT</pubDate>
      <description>&lt;div align="left"&gt;We live in a very vulgar, obnoxious age, don't we? So much of our
media, especially in the realm of entertainment, is driven by digging up the most
embarrassing details about a celebrity's private life and splashing them across a
TV screen or a magazine cover in big, bold headlines. 
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;object width="425" height="344"&gt;
&lt;param name="movie" value="http://www.youtube.com/v/08083BNaYcA&amp;hl=en_US&amp;fs=1&amp;"&gt;&gt;
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&lt;/object&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
And we eat it all up, every last crumb. Well, the good news is, not everyone in the
media is out to sling mud. The documentary filmmakers behind the new British Invasion
DVD series, for example, were not interested in all that rot. 
&lt;br&gt;
&lt;br&gt;
No, for them, it was all about the music, and Grammy-winning writer Rob Bowman helped
in that regard with new in-depth, probing interviews of artists like Gerry Marsden
of Gerry &amp;amp; The Pacemakers, Peter Noone of Herman's Hermits and Ian McLagan of
the Small Faces. 
&lt;br&gt;
&lt;br&gt;
"With all of our DVDs we only care about the music, not who is sleeping with whom
or what drug they might have taken," says the series producer David Peck. "I just
care about the music. When I listen to 'What's Going On?' by Marvin Gaye, I don't
think about his father shooting him to death. What I do think about is how beautiful
the melody is and what was the inspiration behind the lyrics. My philosophy is quite
simple: If it has nothing to do with the music or it's not focusing on the positive,
then it's not going in my film. If someone wants to find out the 'dirt,' then use
Google; it's easy to find. Our films are designed to entertain and educate. I enjoy
making films that I can show my children and other parents can show their children,
and they can learn about these great artists. Were these artists saints? No, but was
their music timeless? The answer to that would have to be 'yes' or we wouldn't be
having this conversation right now."&lt;br&gt;
&lt;br&gt;
As for Bowman, Peck gives him all the credit for how engrossing the interviews are
in these new DVDs, which cover the careers of the Small Faces, Herman's Hermits, Gerry
&amp;amp; The Pacemakers and Dusty Springfield. 
&lt;br&gt;
&lt;br&gt;
"First of all it's very important that most of the credit for the interviews goes
to Rob Bowman, who is a Grammy-award winning writer and a professor of music at York
University in Toronto," explains Peck. "Every single DVD I've done that requires new
interviews has involved Rob because his style is so amazing. When we did Smokey Robinson
&amp;amp; the Miracles, Smokey sat for four and a half hours! When the interview was over,
he told Rob that not only was it the longest interview he had ever done, but the best.
People think that anyone can ask questions, but they're wrong. it takes a certain
style and an incredible knowledge of the subject to be able to converse properly with
the artist and to make them comfortable and let them know that you care about their
work. When that happens you get amazing stories from them."&lt;br&gt;
&lt;br&gt;
For more information about these DVDs, visit &lt;a href="http://www.the-britishinvasion.com"&gt;www.the-britishinvasion.com&lt;/a&gt; and &lt;a href="http://www.reelinintheyears.com"&gt;www.reelinintheyears.com&lt;/a&gt;.&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;/div&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;hr /&gt;&lt;
&lt;/p&gt;
&lt;p&gt;
&lt;strong&gt; MORE RESOURCES FOR MUSIC COLLECTORS&lt;/strong&gt;
&lt;/p&gt;
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      <dc:creator>Peter</dc:creator>
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      <title>Peter Frampton: A thank you from the heart</title>
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      <link>http://blog.goldminemag.com/forgottenboy/2010/03/06/Peter+Frampton+A+Thank+You+From+The+Heart.aspx</link>
      <pubDate>Sat, 06 Mar 2010 17:26:35 GMT</pubDate>
      <description>An album like &lt;i&gt;Thank You, Mr. Churchill&lt;/i&gt;, Peter Frampton's upcoming solo venture,
can only be made at a certain time in the life of an artist. When Frampton was a young,
up-and-coming guitar slinger, thoughts of exploring the father-son relationship and
other family matters are out of sight and out of mind. 
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
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&lt;/object&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
That was a time for songs about girls and falling in love and having your heart broken.
That was a time for songs about being young and having fun, rebelling against society
... whatever it is that fuels the fires of youth.&lt;br&gt;
&lt;br&gt;
But Frampton is no longer a teen hotshot, whose dynamic guitar work with Humble Pie
belied his years. And so, as he approaches 60, it's time for Frampton to reflect on
how he got to this point in his life and do so while crafting some of the best songs
of your career and playing really powerful, really fluid guitar parts that simply
astound.&lt;br&gt;
&lt;br&gt;
"I think it's just the years are adding up now," says Frampton. "My children are growing
up. I've got from a teenager to adults. Mum and dad are gone. It's all down to me
now (laughs). I think it's been a reflective time. I think being sober — I'm in my
eighth year ... all these things, that being a very powreful one, add up to me being
reflective, sideways, backwards and forewards, all around me and hopefully looking
into future a little bit. [I'm] always sort of wrapped up in my music and wrapped
up and wrapped up, and now still wrapped up, but [I'm] more open to the world, with
the little amount of wisdom one hopefuly has at this point. I've felt a responsibility
to leave my mark as a human being."&lt;br&gt;
&lt;br&gt;
And that means sharing his thoughts on all sorts of issues, from 9/11 to the exploitation
of children and the crushing impact that has on families and other issues — all of
which are explored on &lt;i&gt;Thank You, Mr. Churchill&lt;/i&gt;, the title track being a paean
to the former British Prime Minister for bringing Frampton's father home from World
War II in one piece so that Frampton could, indeed, exist. 
&lt;br&gt;
&lt;br&gt;
To learn more about Frampton's new record, visit &lt;a href="http://www.frampton.com"&gt;www.frampton.com&lt;/a&gt;.&lt;br&gt;
&lt;br&gt;
&lt;p&gt;
&lt;hr /&gt;&lt;
&lt;/p&gt;
&lt;p&gt;
&lt;strong&gt; MORE RESOURCES FOR MUSIC COLLECTORS&lt;/strong&gt;
&lt;/p&gt;
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      <body xmlns="http://www.w3.org/1999/xhtml">Each record store is a little different
from the others. They all have their own personalities, their unique qualities that
set them apart. It might be what they specialize in. It might be that they have a
section of bizarre items that few, if any, other stores have.<br /><br /><br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/ZLKMdUIQXbs&amp;hl=en_US&amp;fs=1&amp;" /><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><embed src="http://www.youtube.com/v/ZLKMdUIQXbs&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"></embed></object><br /><br /><br /><br />
Still, in the end, to be successful or even survive as an indie record store, you
will not go far if you don't jack about music.<br /><br />
"What we offer is probably not unique, or different from what other indie record stores
offer," says Andy Folio of Fantasyland Records in Atlanta. "And that's a musical knowledge
acquired over the years. So when someone comes in and asks us if we know which Sinatra
album it is that they should play (or SHOULDN'T play) to help drown in their "lost
girlfriend" sorrows, we'll know! Or if they want to know if we have anything by Neutral
Milk Hotel, we won't just give them a blank stare."<br /><br />
If Folio has any advice for people out there thinking about opening up their own record
shop, be aware " ... it`s not as easy as it looks," adds Folio. "But if you know what
you`re doing, have a good knowledge of all types of music, find a great location,
know what to buy when people bring their LPs and CDs in and don't expect to get rich,
then you can make a decent living doing something you really love. It beats having
to get a REAL job!"<br /><br />
Yeah, that's what all the rest of us thought.<br /><br />
To find out more about Fantasyland Records, visit <a href="http://www.myspace.com/fantasylandrecords">www.myspace.com/fantasylandrecords</a><br /><br /><br /><p></p><hr />
&lt; 
<p></p><p><strong> MORE RESOURCES FOR MUSIC COLLECTORS</strong></p><p>
*<a href="http://shop.collect.com/?r=GMNArticleFoot09">Great Books, CDs, Price Guides
&amp; More</a><br />
*<a href="http://forum.goldminemag.com/" target="_blank">Share YOUR Thoughts in the
Goldmine Forums</a><br />
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      <title>More advice on owning your own record store</title>
      <guid isPermaLink="false">http://blog.goldminemag.com/forgottenboy/PermaLink,guid,22001395-2ffb-435f-8911-f90d79afc4b5.aspx</guid>
      <link>http://blog.goldminemag.com/forgottenboy/2010/03/04/More+Advice+On+Owning+Your+Own+Record+Store.aspx</link>
      <pubDate>Thu, 04 Mar 2010 22:57:43 GMT</pubDate>
      <description>Each record store is a little different from the others. They all have their own personalities, their unique qualities that set them apart. It might be what they specialize in. It might be that they have a section of bizarre items that few, if any, other stores have.&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;object height="344" width="425"&gt;
&lt;param name="movie" value="http://www.youtube.com/v/ZLKMdUIQXbs&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;"&gt;
&lt;param name="allowFullScreen" value="true"&gt;
&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/ZLKMdUIQXbs&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;
&lt;/object&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
Still, in the end, to be successful or even survive as an indie record store, you
will not go far if you don't jack about music.&lt;br&gt;
&lt;br&gt;
"What we offer is probably not unique, or different from what other indie record stores
offer," says Andy Folio of Fantasyland Records in Atlanta. "And that's a musical knowledge
acquired over the years. So when someone comes in and asks us if we know which Sinatra
album it is that they should play (or SHOULDN'T play) to help drown in their "lost
girlfriend" sorrows, we'll know! Or if they want to know if we have anything by Neutral
Milk Hotel, we won't just give them a blank stare."&lt;br&gt;
&lt;br&gt;
If Folio has any advice for people out there thinking about opening up their own record
shop, be aware " ... it`s not as easy as it looks," adds Folio. "But if you know what
you`re doing, have a good knowledge of all types of music, find a great location,
know what to buy when people bring their LPs and CDs in and don't expect to get rich,
then you can make a decent living doing something you really love. It beats having
to get a REAL job!"&lt;br&gt;
&lt;br&gt;
Yeah, that's what all the rest of us thought.&lt;br&gt;
&lt;br&gt;
To find out more about Fantasyland Records, visit &lt;a href="http://www.myspace.com/fantasylandrecords"&gt;www.myspace.com/fantasylandrecords&lt;/a&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;hr&gt;
&amp;lt; 
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;strong&gt; MORE RESOURCES FOR MUSIC COLLECTORS&lt;/strong&gt;
&lt;/p&gt;
&lt;p&gt;
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      <dc:creator>Peter</dc:creator>
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      <slash:comments>2</slash:comments>
      <title>Herman's Hermits the first punk band?</title>
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      <link>http://blog.goldminemag.com/forgottenboy/2010/03/03/Hermans+Hermits+The+First+Punk+Band.aspx</link>
      <pubDate>Wed, 03 Mar 2010 23:02:47 GMT</pubDate>
      <description>&lt;div align="left"&gt;Here's the thing about stardom: You cannot predict when, or if,
it will ever happen. So, if really, really good fortune does come your way, you can't
say, "No, thank you. I'll wait for the next bus to come along." You've got to grab
the golden ring while you can.&lt;br&gt;
&lt;br&gt;
And that's what Herman's Hermits did. In the summer of 1964, when all the boys were
just that, mere boys, or rather, teenagers, Peter Noone and company were experiencing
their first taste of runaway success with their hit debut single "I'm Into Something
Good." 
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;object width="560" height="340"&gt;
&lt;param name="movie" value="http://www.youtube.com/v/zxDh2sYQRpo&amp;hl=en_US&amp;fs=1&amp;"&gt;&gt;
&lt;param name="allowFullScreen" value="true"&gt;&gt;
&lt;param name="allowscriptaccess" value="always"&gt;&gt;&lt;embed src="http://www.youtube.com/v/zxDh2sYQRpo&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"&gt;&lt;/embed&gt;
&lt;/object&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
"We had all our success before we became accomplished musically," says Noone. "Suddenly,
we're like 16 years old, and we're doing all this, while The Beatles were about 22
when they started recording."&lt;br&gt;
&lt;br&gt;
That does not mean that the string of exuberant, buoyant pop hits Herman's Hermits
produced in their early years should be dismissed. Far from it, in fact. Their tight,
somewhat complex harmonies are a marvel, and perhaps no other song exemplifies that
more than "A Kind Of Hush." 
&lt;br&gt;
&lt;br&gt;
Noone, however, liked "No Milk Today" and "Sunshine Girl" more. He's always been a
bit troubled by the intro to "A Kind Of Hush."&lt;br&gt;
&lt;br&gt;
"It's not a great time code at the beginning," says Noone. "It kind of goes haywire
at the beginning. But people don't realize that."&lt;br&gt;
&lt;br&gt;
Hardly anyone, save for the most snobbish musical killjoy or Herman's Hermits themselves,
have ever noticed it. Nor have people ever really thought about the band being in
any way associated with punk.&lt;br&gt;
&lt;br&gt;
Noone does, though. And it has everything to do with the simple innocence and not-a-care-in-the-world
attitude with which Herman's Hermits went about creating a sensation.&lt;br&gt;
&lt;br&gt;
"We never did have a plan," says Noone. "I guess we were punk-ish in that way. We
never did have any aspirations but to be in a band."&lt;br&gt;
&lt;br&gt;
A new DVD titled "Herman's Hermits: Listen People — 1964-1969" does a fine job of
detailing the band's life and times, while culling choice vintage live and TV footage
of the band. It's part of a whole British Invasion DVD series being put out by Reelin'
In The Years Production, along with Voyage Digital Media and Naxos of America, Inc.
Other DVDs deal with acts like the Small Faces, Gerry &amp;amp; The Pacemakers and Dusty
Springfield. Plus there's a bonus disc of material.&lt;br&gt;
&lt;br&gt;
The set is being released March 30. For more on the DVDs, visit &lt;a href="http://www.reelinintheyears.com/britishinvasion"&gt;www.reelinintheyears.com/britishinvasion&lt;/a&gt;.&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;/div&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
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      <title>'The T.A.M.I. Show': Honest rock 'n' roll</title>
      <guid isPermaLink="false">http://blog.goldminemag.com/forgottenboy/PermaLink,guid,1d453c87-33b3-4ce8-986a-c8292a08590f.aspx</guid>
      <link>http://blog.goldminemag.com/forgottenboy/2010/03/02/The+TAMI+Show+Honest+Rock+N+Roll.aspx</link>
      <pubDate>Tue, 02 Mar 2010 23:04:23 GMT</pubDate>
      <description>&lt;div align="left"&gt;There will never be another T.A.M.I Show. It was a once-in-a-lifetime
cavalcade of rock 'n' roll stars who performed for a screaming throng of teens, the
first televised rock concert.&lt;br&gt;
&lt;br&gt;
And now, everybody's going to have a chance to see it again. Shout! Factory is releasing
"The T.A.M.I. Show" DVD on March 23. Quentin Tarantino has said it belongs "in the
top three of all rock movies," and VH1 listed it at No. 15 in its compilation of the
"100 Greatest Moments In Rock History."&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;object width="560" height="340"&gt;
&lt;param name="movie" value="http://www.youtube.com/v/HpYIWThQbYU&amp;hl=en_US&amp;fs=1&amp;"&gt;&gt;
&lt;param name="allowFullScreen" value="true"&gt;&gt;
&lt;param name="allowscriptaccess" value="always"&gt;&gt;&lt;embed src="http://www.youtube.com/v/HpYIWThQbYU&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"&gt;&lt;/embed&gt;
&lt;/object&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
Why was it such a monumental event? Just look at who performed. From The Beach Boys
to Chuck Berry to Smokey Robinson &amp;amp; The Miracles and Marvin Gaye to The Supremes
... I could go on and on. It's also famous for the Keith Richards' quote about the
biggest mistake the Rolling Stones ever made, which was following James Brown at the
T.A.M.I. Show.&lt;br&gt;
&lt;br&gt;
So owning this DVD is — and I can say this without sounding overly dramatic — is like
owning a piece of history.&lt;br&gt;
&lt;br&gt;
Director Steve Binder, who filmed the show along with the crew he worked with on the
"Steve Allen Show," says that what shows through on the DVD is the purity and exuberance
that rock 'n' roll has always had.&lt;br&gt;
&lt;br&gt;
"I think what really made 'The T.A.M.I Show' historically important — and if I can
remove myself as the person who directed it, but just as a layman — it was what rock
'n' roll was intended to be from the very beginning, and that is fun and honest,"
says Binder. "And there were no frills, no real gimmicks. We didn't rehearse the audience
and tell 'em when they were supposed to scream and yell. Matter of fact, just the
opposite. We were trying to figure out how to get some of this stuff out of the track."&lt;br&gt;
&lt;br&gt;
Binder compared shooting it to another performance he filmed, one that would bring
his career in full circle as a former T.A.M.I. Show celeb took center stage.&lt;br&gt;
&lt;br&gt;
"It's like when I did Diana Ross in Central Park, and we had this huge rainstorm,"
says Binder. "I'd seen a few shows in Central Park before and I said, once you saw
the opening titles, you could have been in any park in the United States or the world
for that matter. You never knew where you were. And I wanted to make sure when I shot
that, you know, I saw the New York skyline in the background and so forth and so on.
And with 'The T.A.M.I. Show," I wanted to make sure everybody who watched the film
knew that this was not put together in piecemeal fashion, where James was there on
Monday and Smokey on Tuesday ... I mean, everybody was there the entire time we filmed
it."&lt;br&gt;
&lt;br&gt;
That goes for all the artists, not just the stagehands.&lt;br&gt;
&lt;br&gt;
"I arbitrarily picked — since there were no commercial breaks or anything, it was
just a film — when halftime would be after the Lesley Gore performance, and [I] brought
out the cast on to the stage that had previously performed before Lesley," remembers
Binder. "And then at the very end of the show, I brought out the entire cast on to
the stage. And what was interesting was, nobody went to their hotels or went home
while we actually filmed. They were all there backstage or they were in the audience,
or what have you. So it became like an adventure for everybody. You know, it wasn't
just a job."&lt;br&gt;
&lt;br&gt;
To learn more about the upcoming DVD of "The T.A.M.I. Show," visit &lt;a href="http://www.shoutfactory.com"&gt;www.shoutfactory.com&lt;/a&gt;.
And watch the April 23 issue of Goldmine for more of our interview with Steve Binder.&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;/div&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
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      <title>The Runaways' Cherie Currie on Dakota Fanning, new movie</title>
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      <link>http://blog.goldminemag.com/forgottenboy/2010/02/25/The+Runaways+Cherie+Currie+On+Dakota+Fanning+New+Movie.aspx</link>
      <pubDate>Thu, 25 Feb 2010 22:58:22 GMT</pubDate>
      <description>&lt;div align="left"&gt;It's a question we all think about, but hardly any of us actually
will ever have to deal with at any point: If a movie was being made about your life,
what actor or actress should play you?&lt;br&gt;
&lt;br&gt;
Cherie Currie, former lead singer of The Runaways, did not have a say in the matter
for the new movie that's coming out in March about the renegade band of teenage girls
she once fronted that challenged the male-dominated music business in the 1970s with
their rebellious, punk-spiked rock. But she could not have made a better choice.&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;object width="560" height="340"&gt;
&lt;param name="movie" value="http://www.youtube.com/v/1NlWWcZeOUY&amp;hl=en_US&amp;fs=1&amp;"&gt;&gt;
&lt;param name="allowFullScreen" value="true"&gt;&gt;
&lt;param name="allowscriptaccess" value="always"&gt;&gt;&lt;embed src="http://www.youtube.com/v/1NlWWcZeOUY&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"&gt;&lt;/embed&gt;
&lt;/object&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
Young starlet Dakota Fanning played Currie, and that's all right by Cherie. 
&lt;br&gt;
&lt;br&gt;
"Oh, it was a dream come true, because she's my favorite actress of all-time," say
Currie. "Yeah, from the first time I saw her, and I was actually sitting with my sister,
Marie, watching, I believe, it was 'Man On Fire,' and our jaws were just on the floor
and we were saying, "Who is this girl?" And I just became a huge fan of hers. And
I ended up finding out that she was playing me, or was in negotiations to play me,
on the 10 o'clock news, and my knees just buckled, because I just couldn't believe
it. It was just ... it's beyond words."&lt;br&gt;
&lt;br&gt;
And really, it was meant to be, which Currie found out in a lunch with Fanning. 
&lt;br&gt;
&lt;br&gt;
"I asked her how she got involved in the film and wanting to do the film," relates
Currie. "She had gone to school, and one of her schoolmates had brought these little
temporary tattoos, and [Fanning] had picked a single cherry and put it on her arm.
And when she got home, her mom had this script and said, 'Dakota, you're not going
to believe this, but this girl has a cherry tattoo.' And she kind of figured that
was a sign, and when she read the script, she knew there was no one else who could
do the part as far as she was concerned. 'What are they gonna do?' she said. 'Get
some 27-year-old to play a 16-year-old.' And so she really knows she's got that edge,
you know that old edge that this part really needed."&lt;br&gt;
&lt;br&gt;
For more on The Runaways, visit &lt;a href="http://www.therunaways.com"&gt;www.therunaways.com&lt;/a&gt;. 
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;/div&gt;
&lt;p&gt;
&lt;/p&gt;
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      <title>Jon Spencer Blues Explosion is no joke</title>
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      <link>http://blog.goldminemag.com/forgottenboy/2010/02/23/Jon+Spencer+Blues+Explosion+Is+No+Joke.aspx</link>
      <pubDate>Tue, 23 Feb 2010 16:39:45 GMT</pubDate>
      <description>&lt;div align="left"&gt;&lt;i&gt;"Oh Lord, please don't let me be misunderstood"&lt;/i&gt;
&lt;br&gt;
&lt;br&gt;
For the Jon Spencer Blues Explosion, that plea has often fallen on deaf ears. That's
not to say that everything written about the noisy, avant-blues anarchists has been
derisive or belittling. In fact, critics have usually had nice things to say about
the trio's hard-hitting, visceral blasts of deconstructed rock 'n' roll. 
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;object width="425" height="344"&gt;
&lt;param name="movie" value="http://www.youtube.com/v/RZmxNM6DwsY&amp;hl=en_US&amp;fs=1&amp;"&gt;&gt;
&lt;param name="allowFullScreen" value="true"&gt;&gt;
&lt;param name="allowscriptaccess" value="always"&gt;&gt;&lt;embed src="http://www.youtube.com/v/RZmxNM6DwsY&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;
&lt;/object&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
In taking apart and reassembling traditional forms of the blues and '50s rockabilly,
the Jon Spencer Blues Explosion pays only the most sincere homage to their heroes.
Yet a lot of people don't buy it. They think it's all a put-on, that Spencer, guitarist
Judah Bauer and drummer Russell Simins have, for the last almost 20 years, been creating
gritty, wild, postmodern rock 'n' roll mayhem with a wink and a nudge and very little
respect for the past.&lt;br&gt;
&lt;br&gt;
Spencer takes offense at that.&lt;br&gt;
&lt;br&gt;
"I do. I think we've been misunderstood," says Spencer. "We've been dismissed as a
joke. We've been dismissed as ironic hipsters and even racists."&lt;br&gt;
&lt;br&gt;
Sure, says Spencer, some of the Blues Explosion's songs have some humor, and he admits
they can even be a bit silly, but he adds, "There's a lot of life to it."&lt;br&gt;
&lt;br&gt;
And much of that life is fueled by from Spencer's deep appreciation of the blues and
old-time rock 'n' roll, a genre that he feels is under attack these days.&lt;br&gt;
&lt;br&gt;
"America has a real stick up its ass and a real problem it seems with rock 'n' roll,"
says Spencer, who continued about how it's even more marginalized and misunderstood
than it was when the Blues Explosion arrived in the early '90s to give the dour, taking-itself-way-too-seriously
world of alternative rock a good, swift kick in the pants.&lt;br&gt;
&lt;br&gt;
To remedy at least one of those problems, the Blues Explosion is releasing a 22-song
retrospective of its most bad-ass works titled &lt;i&gt;Dirty Shirt Rock 'N Roll: The First
Ten Years&lt;/i&gt;. Due out March 30 on Shout! Factory's Majordomo Records imprint, the
record is the opening salvo in a Blues Explosion reissue project that will see the
band re-release six albums. 
&lt;br&gt;
&lt;br&gt;
To find out more about the reissue campaign and the band's first-ever greatest-hits
package, visit &lt;a href="http://www.majordomorecords.com"&gt;www.majordomorecords.com&lt;/a&gt;. 
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&amp;nbsp;&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;/div&gt;
&lt;p&gt;
&lt;/p&gt;
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      <title>David Was remembers The Knack's Doug Fieger</title>
      <guid isPermaLink="false">http://blog.goldminemag.com/forgottenboy/PermaLink,guid,115ef73d-ed0c-4924-8bfd-4529bb131340.aspx</guid>
      <link>http://blog.goldminemag.com/forgottenboy/2010/02/17/David+Was+Remembers+The+Knacks+Doug+Fieger.aspx</link>
      <pubDate>Wed, 17 Feb 2010 20:17:08 GMT</pubDate>
      <description>&lt;div align="left"&gt;Only cancer and human mortality could beat Doug Fieger.&lt;br&gt;
&lt;br&gt;
The lead singer of The Knack, whose stuttering vocals on the 1979 power-pop anthem
"My Sharona" will ring in the ears of generations to come, was a fighter right up
until his death on Tuesday at his home in Woodland Hills, Calif.&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;object height="344" width="425"&gt;
&lt;param name="movie" value="http://www.youtube.com/v/_iiT3IWWrGk&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;"&gt;
&lt;param name="allowFullScreen" value="true"&gt;
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&lt;/object&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
David Was, of the idiosyncratic dance-music dynamo Was (Not Was), had known Fieger
since junior high in the Detroit area. "Not only was he an inspiration," says Was,
"but also a good friend."&lt;br&gt;
&lt;br&gt;
Even while Fieger was battling his illness, Was visited often with The Knack front
man, and Was hoped he'd beat cancer. But it wasn't to be.&lt;br&gt;
&lt;br&gt;
Looking back during an interview today, Was recalled seeing Fieger for the first time.
"He looked like he had fallen right out of New Music Express," says Was. "He was wearing
bell-bottoms and he had pink leather boots on. I remember someone called him a sissy,
and Doug kicked his ass. In fact, I think he dug his pink leather boot right into
his chest."&lt;br&gt;
&lt;br&gt;
Was added that "you didn't mess with Doug." And that extended to Doug's family. For
those who don't know, Doug's brother is famed attorney Geoffrey Fieger, who gained
fame for representing assisted-suicide advocate Jack Kevorkian.&lt;br&gt;
&lt;br&gt;
Doug Fieger, according to Was, was always ambitious when it came to music. In fact,
Doug and Was' partner in Was (Not Was), noted producer Don Was, had quite the rivalry
in school. Doug's single-minded determination brought him fame quicker as The Knack,
the band he formed in Los Angeles in 1978, made the rounds on the Sunset Strip scene
and broke it big with "My Sharona," a song Doug co-wrote that was inspired by a girlfriend
of four years.&lt;br&gt;
&lt;br&gt;
"He took rock 'n' roll as seriously as a physicist takes uranium," says David Was.
"That kid was like a roman candle, with a trajectory that could take you to great
heights and depths."&lt;br&gt;
&lt;br&gt;
David Was says he owes everything to Doug Fieger, and that includes the success Was
(Not Was) had. A new 19-song retrospective set titled &lt;i&gt;Pick Of The Litter&lt;/i&gt; is
due out Feb. 23 that encapsulates the career of Was (Not Was), described by the New
York Times as "the funkier art-funk band" and featuring David's somewhat surreal poetry
and a strange brew of jazz, disco, rock and skewed political-socio commentary. 
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
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&lt;param name="movie" value="http://www.youtube.com/v/2UDNSCL8v0E&amp;hl=en_US&amp;fs=1&amp;"&gt;&gt;
&lt;param name="allowFullScreen" value="true"&gt;&gt;
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&lt;/object&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
We'll have more on Was (Not Was), plus stories about the group's connection to Ozzy
Osbourne, Madonna and Mel Torme, among others, in this space. To revisit the strange,
colorful world of Was (Not Was), go to &lt;a href="http://www.myspace.com/wasnotwasfreaks"&gt;www.myspace.com/wasnotwasfreaks&lt;/a&gt;.&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;/div&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;hr&gt;
&amp;lt; 
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;strong&gt; MORE RESOURCES FOR MUSIC COLLECTORS&lt;/strong&gt;
&lt;/p&gt;
&lt;p&gt;
*&lt;a href="http://shop.collect.com/?r=GMNArticleFoot09"&gt;Great Books, CDs, Price Guides
&amp;amp; More&lt;/a&gt;
&lt;br&gt;
*&lt;a href="http://forum.goldminemag.com/" target="_blank"&gt;Share YOUR Thoughts in the
Goldmine Forums&lt;/a&gt;
&lt;br&gt;
*&lt;a href="http://secure.adpay.com/Marketplace.aspx?pid=2087&amp;amp;page=GMNlanding"&gt;Che
ck out our FREE Online Classified Ads&lt;/a&gt;
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email newsletter&lt;/a&gt;
&lt;/p&gt;
&lt;br&gt;
&lt;br&gt;
&lt;img width="0" height="0" src="http://blog.goldminemag.com/forgottenboy/aggbug.ashx?id=115ef73d-ed0c-4924-8bfd-4529bb131340" /&gt;</description>
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      <dc:creator>Peter</dc:creator>
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      <title>A word of advice for hopeful record store owners</title>
      <guid isPermaLink="false">http://blog.goldminemag.com/forgottenboy/PermaLink,guid,03bcce28-cbf2-4375-b8de-870118c02cfd.aspx</guid>
      <link>http://blog.goldminemag.com/forgottenboy/2010/02/16/A+Word+Of+Advice+For+Hopeful+Record+Store+Owners.aspx</link>
      <pubDate>Tue, 16 Feb 2010 20:14:27 GMT</pubDate>
      <description>&lt;div align="left"&gt;"When my ship comes in ... I'm going to open up a record store!"&lt;br&gt;
&lt;br&gt;
How many of us have, at one time or another, dreamed of doing just that. I know I
have. Well, it's a tough business, and in these troubled economic times, it's getting
harder and harder to keep the small, local, independent record store going.&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;object width="425" height="344"&gt;
&lt;param name="movie" value="http://www.youtube.com/v/I219DADoo7A&amp;hl=en_US&amp;fs=1&amp;"&gt;&gt;
&lt;param name="allowFullScreen" value="true"&gt;&gt;
&lt;param name="allowscriptaccess" value="always"&gt;&gt;&lt;embed src="http://www.youtube.com/v/I219DADoo7A&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;
&lt;/object&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
One that keeps on keeping on is All That Music in El Paso, Texas. Its owner, George
Reynoso, has done an amazing job of not only staying afloat but actually thriving.
Using every bit of guile, street smarts, business savvy and that ability to change
with the times, Reynoso has kept All That Music going. 
&lt;br&gt;
&lt;br&gt;
And for those that would like to follow his lead and open up their own independent
record store, Reynoso has a word of advice.&lt;br&gt;
&lt;br&gt;
"Don’t give up your regular job," says Reynoso. "I’ve been lucky because this is my
passion and I’m too stubborn to fail. But in 30 years, I’ve seen most of my competitors
come and go because they were poorly capitalized, mismanaged, or otherwise naïve.
This is a fast, cutthroat, and rapidly changing industry. People are attracted to
the glamour of music and entertainment. But in reality, we are living in the midst
of a technological, computer-based revolution. The world is now a virtual marketplace
of digital files. Do your homework before you jump into this industry."&lt;br&gt;
&lt;br&gt;
Despite all the gloom and doom, there are stories of success among record-store owners.
We've profiled many of them in our For The Record segment in the print issue of &lt;i&gt;Goldmine&lt;/i&gt;.
To read the rest of our interview with Reynoso, pick up the March 12 print edition
of &lt;i&gt;Goldmine&lt;/i&gt;. 
&lt;br&gt;
&lt;br&gt;
To find out more about All That Music, go to &lt;a href="http://www.allthatmusic.com"&gt;www.allthatmusic.com&lt;/a&gt;.&lt;br&gt;
&lt;/div&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://blog.goldminemag.com/forgottenboy/aggbug.ashx?id=03bcce28-cbf2-4375-b8de-870118c02cfd" /&gt;</description>
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      <dc:creator>Peter</dc:creator>
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      <body xmlns="http://www.w3.org/1999/xhtml">
        <div align="left">Being the owner of an independent record store in this day and age
is not easy, but George Reynoso is still fighting the good fight.<br /><br />
His is All That Music, out of El Paso, Texas. And like all small business owners,
market forces create a myriad of challenges that make it difficult for them to just
survive. Competing with the big-box chains like Wal-Mart and Best Buy is like swimming
against a strong tide, and the whole downloading phenomenon has only exacerbated the
problem for the mom-and-pop record shops.<br /><br /><br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/3S3etoAgucM&amp;hl=en_US&amp;fs=1&amp;" /><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><embed src="http://www.youtube.com/v/3S3etoAgucM&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"></embed></object><br /><br /><br />
Smartly, Reynoso, a former television journalist, has decided against going head-to-head
with the Goliaths.<br /><br />
"Wal-Mart, Best Buy and Target all sell what I call the 'no-brainer easy business'
— that is, mostly the Top 50 Billboard chart CDs," explains Reynoso. "Although we
stock these chart hits, we conceded the easy business to the giants long ago. Now,
as the giants are allocating less space to deep catalog and the big chain stores are
all but gone, we're realizing the increased traffic of customers who require and enjoy
a good record store. Serious music buyers are left with the 'last man standing,' which
is usually the local independent. That works for me!"<br /><br />
That enthusiasm isn't just false bravado. Reynoso sees a future for small record stores
like his. They just have to work hard and figure out what their customers really want,
and that extends to employees as well.<br /><br />
"The future will be service and collectibles for serious music enthusiasts," says
Reynoso. "Today's record store employee must bring something to the table. Young clerks
fulfilling cash-register duties and generally hanging out and acting cool are gone.
Thank God! With today's bleak economy, we are all doing more with less. So slackers
quickly find themselves unemployed. Today's employee needs to bring a depth of knowledge
in any particular genre of music. Strong retail, marketing and merchandising skills
are a must. Computer, database and Web site expertise is a bonus. In general, with
Google, YouTube and hundreds of Web site resources, I tell prospective employees that
logic, common sense and a desire to provide service to a customers is all that's necessary.
We can teach the new hires the resources and steps for great customer service. Finding
employees with charisma, values, good attitude and a strong work ethic is the challenge."<br /><br />
But there is more to it than that. These days, record-store employees have another
role: That of an educator.<br /><br />
"We spend a lot of time educating people about the collectibility of records," says
Reynoso. "Most are good sports, but some don't understand and get offended when we
reject common, low-demand items in poor condition. With advance notice, I'll direct
sellers to <a href="http://allthatmusic.com">allthatmusic.com</a> to read our guidelines
for selling CDs, LPs &amp; DVDs."<br /><br />
Having to take a tough stance in negotiations is just part of the business, which
has benefitted from a boom in vinyl sales.<br /><br />
"In part, credit today's 15- to 30-year-olds for spearheading the return of the LP,"
says Reynoso. "They grew up knowing music by file trading, computers and ear buds.
Eventually, these consumers mature and realize you can't beat first-edition, physical,
hands-on product. In the end, whether for full, complete liner notes and a high-quality
(non-MP3) sound, physical product will be sought out by the true hard-core fans. Sure,
the volume of product sold is less, but remaining copies in the marketplace are worth
more, especially if the condition of the LP or CD is like new. We sell lots of product
in the $20-to-$75 range. This is our new marketplace. We've spent the last 30 years
learning what's in and what's not and we use that knowledge to buy and sell fairly
and strategically."<br /><br /><br /><br /><br /><br /><br /></div>
        <p>
        </p>
        <p>
        </p>
        <hr />
&lt; 
<p></p><p><strong> MORE RESOURCES FOR MUSIC COLLECTORS</strong></p><p>
*<a href="http://shop.collect.com/?r=GMNArticleFoot09">Great Books, CDs, Price Guides
&amp; More</a><br />
*<a href="http://forum.goldminemag.com/" target="_blank">Share YOUR Thoughts in the
Goldmine Forums</a><br />
*<a href="http://secure.adpay.com/Marketplace.aspx?pid=2087&amp;page=GMNlanding">Che
ck out our FREE Online Classified Ads</a><br />
*<a href="http://www.goldminemag.com/Newsletter_Thanks">Sign up for your FREE Goldminemag.com
email newsletter</a></p><br /><br /><img width="0" height="0" src="http://blog.goldminemag.com/forgottenboy/aggbug.ashx?id=7f56922d-57fc-4232-baa0-b7ef4f42fdc6" /></body>
      <title>So you want to work at a record store?</title>
      <guid isPermaLink="false">http://blog.goldminemag.com/forgottenboy/PermaLink,guid,7f56922d-57fc-4232-baa0-b7ef4f42fdc6.aspx</guid>
      <link>http://blog.goldminemag.com/forgottenboy/2010/02/11/So+You+Want+To+Work+At+A+Record+Store.aspx</link>
      <pubDate>Thu, 11 Feb 2010 16:27:49 GMT</pubDate>
      <description>&lt;div align="left"&gt;Being the owner of an independent record store in this day and age
is not easy, but George Reynoso is still fighting the good fight.&lt;br&gt;
&lt;br&gt;
His is All That Music, out of El Paso, Texas. And like all small business owners,
market forces create a myriad of challenges that make it difficult for them to just
survive. Competing with the big-box chains like Wal-Mart and Best Buy is like swimming
against a strong tide, and the whole downloading phenomenon has only exacerbated the
problem for the mom-and-pop record shops.&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;object height="344" width="425"&gt;
&lt;param name="movie" value="http://www.youtube.com/v/3S3etoAgucM&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;"&gt;
&lt;param name="allowFullScreen" value="true"&gt;
&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/3S3etoAgucM&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;
&lt;/object&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
Smartly, Reynoso, a former television journalist, has decided against going head-to-head
with the Goliaths.&lt;br&gt;
&lt;br&gt;
"Wal-Mart, Best Buy and Target all sell what I call the 'no-brainer easy business'
— that is, mostly the Top 50 Billboard chart CDs," explains Reynoso. "Although we
stock these chart hits, we conceded the easy business to the giants long ago. Now,
as the giants are allocating less space to deep catalog and the big chain stores are
all but gone, we're realizing the increased traffic of customers who require and enjoy
a good record store. Serious music buyers are left with the 'last man standing,' which
is usually the local independent. That works for me!"&lt;br&gt;
&lt;br&gt;
That enthusiasm isn't just false bravado. Reynoso sees a future for small record stores
like his. They just have to work hard and figure out what their customers really want,
and that extends to employees as well.&lt;br&gt;
&lt;br&gt;
"The future will be service and collectibles for serious music enthusiasts," says
Reynoso. "Today's record store employee must bring something to the table. Young clerks
fulfilling cash-register duties and generally hanging out and acting cool are gone.
Thank God! With today's bleak economy, we are all doing more with less. So slackers
quickly find themselves unemployed. Today's employee needs to bring a depth of knowledge
in any particular genre of music. Strong retail, marketing and merchandising skills
are a must. Computer, database and Web site expertise is a bonus. In general, with
Google, YouTube and hundreds of Web site resources, I tell prospective employees that
logic, common sense and a desire to provide service to a customers is all that's necessary.
We can teach the new hires the resources and steps for great customer service. Finding
employees with charisma, values, good attitude and a strong work ethic is the challenge."&lt;br&gt;
&lt;br&gt;
But there is more to it than that. These days, record-store employees have another
role: That of an educator.&lt;br&gt;
&lt;br&gt;
"We spend a lot of time educating people about the collectibility of records," says
Reynoso. "Most are good sports, but some don't understand and get offended when we
reject common, low-demand items in poor condition. With advance notice, I'll direct
sellers to &lt;a href="http://allthatmusic.com"&gt;allthatmusic.com&lt;/a&gt; to read our guidelines
for selling CDs, LPs &amp;amp; DVDs."&lt;br&gt;
&lt;br&gt;
Having to take a tough stance in negotiations is just part of the business, which
has benefitted from a boom in vinyl sales.&lt;br&gt;
&lt;br&gt;
"In part, credit today's 15- to 30-year-olds for spearheading the return of the LP,"
says Reynoso. "They grew up knowing music by file trading, computers and ear buds.
Eventually, these consumers mature and realize you can't beat first-edition, physical,
hands-on product. In the end, whether for full, complete liner notes and a high-quality
(non-MP3) sound, physical product will be sought out by the true hard-core fans. Sure,
the volume of product sold is less, but remaining copies in the marketplace are worth
more, especially if the condition of the LP or CD is like new. We sell lots of product
in the $20-to-$75 range. This is our new marketplace. We've spent the last 30 years
learning what's in and what's not and we use that knowledge to buy and sell fairly
and strategically."&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;/div&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;hr&gt;
&amp;lt; 
&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;strong&gt; MORE RESOURCES FOR MUSIC COLLECTORS&lt;/strong&gt;
&lt;/p&gt;
&lt;p&gt;
*&lt;a href="http://shop.collect.com/?r=GMNArticleFoot09"&gt;Great Books, CDs, Price Guides
&amp;amp; More&lt;/a&gt;
&lt;br&gt;
*&lt;a href="http://forum.goldminemag.com/" target="_blank"&gt;Share YOUR Thoughts in the
Goldmine Forums&lt;/a&gt;
&lt;br&gt;
*&lt;a href="http://secure.adpay.com/Marketplace.aspx?pid=2087&amp;amp;page=GMNlanding"&gt;Che
ck out our FREE Online Classified Ads&lt;/a&gt;
&lt;br&gt;
*&lt;a href="http://www.goldminemag.com/Newsletter_Thanks"&gt;Sign up for your FREE Goldminemag.com
email newsletter&lt;/a&gt;
&lt;/p&gt;
&lt;br&gt;
&lt;br&gt;
&lt;img width="0" height="0" src="http://blog.goldminemag.com/forgottenboy/aggbug.ashx?id=7f56922d-57fc-4232-baa0-b7ef4f42fdc6" /&gt;</description>
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